ANa Anaa
12 artists with singing, sound, performance, writing, choreography backgrounds living as community.
I kept wandering in the twilight and invited them to follow me. We entered several thresholds.
At first we went to a riverbed. I grinded stones to dust on a fallen tree which was prolonging the sound far beyond my own being. The sand was leaking along my leg.
I went upstream and found huge clay deposits which I carried on my back, while removing the bag with which I used to carry the clay, I felt as if a part of myself was suddenly taken off or was missing. I became worried and didn’t knew at first how to handle this emotion. It became obsessive and I decided to carry the clay-being on my back for several more days and tied around my stomach in a net I had made specifically for it. It became like an extension of my own flesh. How to relate to other beings ?
I took it from day to night, on a twilight walk from one world to another towards an altar where Tereza Silon and Zeynab Gueye initiated a ceremony on Lamentations and grief. It was a collective performance opening onto active mourning.
Other documentation below, with the wooden sword : full moon celebration, collective fasting, exploration of the forest via fungi connections.
photographs by Katarina Kadijevic, Bilwa as well as my owns
There have been worlds above extended, installation for the final residency event from noon to noon.
Installation at the Gallery Torhaus. The room was maintained at dusk day and night for 24 hours.
wood daggers and swords